Royer-labs SF-12 Instrukcja Użytkownika

Royer LabsModel SF-12Stereo Ribbon Velocity MicrophoneOperation Instructions Manual & User GuideMade in U.S.A.

PercussionThe SF-12 records percussion instruments naturally, without upper frequency hype or low-end boominess. Congas, bongos and the

time. This means that the two channels can be summed to mono with no comb filter effects, and room reverberation (undesirable in mono) is cancelled to

Figure 3Care and MaintenanceThe SF-12 is a solidly built, precision instrument. All that is required to ensure proper operation of this microphone is

Caution: Do not check the SF-12 with an ohmmeter or continuity tester, and do not connect the unit to an input device designed to power a capacitor m

SpecificationsAcoustic Operating Principle:! Electrodynamic pressure gradientPolar Pattern:" " Symmetrical Figure-8Generating Element:"

Wiring DiagramPolar PatternFrequency Response15

WarrantyPLEASE RETAIN YOUR ORIGINAL BILL OF SALE AS YOU WILL NEED TO PRESENT IT SHOULD YOU REQUIRE SERVICE UNDER THIS WARRANTY.TO VALIDA

TABLE OF CONTENTSModel SF-12 Ribbon MicrophoneRevised 2009Introduction! 3Description! 3User Guide! 4Using the SF-12 Ribbon Microphone! 4Operation! 4Am

IntroductionCongratulations on your purchase of a Royer Labs model SF-12 ribbon microphone. The SF-12 is a handcrafted, precision instrument cap

User GuideUsing the SF-12 Ribbon MicrophoneOperationThe SF-12 is a versatile device capable of accurate sound reproduction. There are a

performance can we expect from the preamplifiers built into our mixing desks? While most preamplifiers will handle ribbon microphones we

4. Transparency: A good preamp should sound natural with no edginess. Tube preamps sound warm, yet wonderfully transparent. Transformer coupled

The reason that ribbon mics take EQ so well is their inherent low self-noise, unusually smooth frequency response characteristics and freedom

Microphone TechniquesGeneral Tips for Using the Royer SF-12The following are good basic starting places for recording with the SF-12. These posit

the rest of the kit. Many times an overhead SF-12 is all that is needed for tom-toms and cymbals.For a single point stereo room mic, posit